Every year, 26,000 babies are stillborn in America. In 2003, one of them was my son.

Wednesday, December 31, 2008

What I Really Want

I just want people to say his name.

(And yes, there are people in my house not saying his name today, and it hurts.)

Tuesday, December 30, 2008

Five Years

Today, five years ago. I sat in my living room, trying to eat some lunch my friend kindly made me, waiting for 6 p.m., waiting to return to the hospital I'd only just left, to deliver my first son. Preparing--as if you could ever prepare--to come home without him.


The poem below doesn't relate to stillborn babies, but the last line slides through my mind from time to time, as it has done for the last 15 years or so, since I first heard of (and briefly met), the poet, Seamus Heaney. He's Irish and has a way with words I envy. This poem gripped me the first time I read it, wrapped a hand around my heart and squeezed. I couldn't imagine, then, the loss of which it spoke.


Last night, before sleep, I thought of a friend of mine, E., dead for nearly 18 years now, whose youngest son was killed at the age of 16 in a car accident, in the week between Christmas and New Year. His name was Thomas, which was--is--Ben's middle name. I had a crush on Tommy, harbored secret dreams of marrying him when we grew up. People have pointed out to me that maybe that first angel, Tommy, led me to give my own angel, Ben, his second name. I don't know. But the timing...of their deaths, and those memories. I don't know. But last night, I thought of his mother, who I loved dearly, and pictured me, now, going back through the years to her, hugging her, both of us crying, and telling her, "Now. Now I understand."


I'm rambling, I know, full of thoughts I can't complete. Today, I remember, like every day. And long for what I'll never have.


Watch out for the poem's last line - I think it will grab your heart, too, and clench it with a mighty fist.


Mid-Term Break

I sat all morning in the college sick bay
Counting bells knelling classes to a close,
At two o'clock our neighbours drove me home.


In the porch I met my father crying--
He had always taken funerals in his stride--
And Big Jim Evans saying it was a hard blow.


The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand


And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand


In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.


Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,


Wearing a poppy bruise on the left temple,
He lay in the four foot box as in a cot.
No gaudy scars, the bumper knocked him clear.


A four foot box, a foot for every year.

--Seamus Heaney

Tuesday, December 16, 2008

Just Because

Because there are 528 things currently not getting done in my house and life - the basement renovation that was supposed to end last week, the 10 hours I spent painting the basement this weekend, the carpet that is not getting installed tomorrow but instead on Thursday when I can't actually be home - and the Christmas cards, the wrapping, the baking, the tidying up of this infernal mess that is my home.... I give you a poem by May Sarton:

Now I Become Myself

Now I become myself. It's taken
Time, many years and places;
I have been dissolved and shaken,
Worn other people's faces,
Run madly, as if time were there,
Terribly old and crying a warning,
"Hurry, you will be dead before..."
(What? Before you reach the morning?
Or the end of the poem is clear?
Or love safe in the walled city?)
Now to stand still, to be here,
Feel my own weight and density!
The black shadow on the paper
Is my hand; the shadow of a word
As thought shapes the shaper
Falls heavy on the page, is heard.
All fuses now, falls into place
From wish to action, word to silence,
My work, my love, my time, my face
Gathered into one intense
Gesture of growing like a plant.
As slowly as the ripening fruit
Fertile, detached and always spent,
Falls but does not exhaust the root,
So all the poem is, can give,
Grows in me, to become the song;
Made so and rooted so by love.
Now there is time and Time is young.
O, in this single hour I live
All of myself and do not move.
I, the pursued, who madly ran,
Stand still, stand still, and stop the sun.